The four eras of NFT history, their defining events, rarity relative to today’s total estimated supply, and some of their representative assets, projects and artists.
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That’s it. After two years of hunting and a total of $125,896 invested, I’ve finally completed the 285-card Spells of Genesis full set. → 126 cards vaulted at this ETH address: 0x697c89c4bc5344960c26da9517e39204186d7efa → 159 cards non-vaulted at this BTC address: 1PkxmMg9whMQeWKa6wMbrXrJDBsn8rhe3P Some Spells of Genesis numbers: - Cards by year: 2015 (43), 2016 (60), 2017 (124), 2018 (7), 2019 (17), 2020 (1), 2021 (0), 2022 (6), 2023 (14), 2024 (13) - First card issuance: Mar. 11, 2015 - Last card issuance: Nov. 18, 2024 - Lowest supply card: 37 (full sets cap) - Highest supply card: 3,500 - Artists: 69 - Legendaries: 69 - Sub-300 supply cards: 49 - Sub-100 supply cards: 12 - Full sets achieved: 3 (@crypt0biwan, @g0barry, and myself) A special thanks to my friends @shaban_shaame, @BnetYp, @g0barry, and @C0rnh0li0 for helping me get here 🫂
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The creator of the 2012 Fuckyea on-chain images has finally been identified: a creative coder exploring blockchain since 2010 — and still a crypto artist today. It turns out the two pixel-made assets may in fact be the earliest crypto arts ever made 👇 medium.com/@archivist-eth/fu…
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As promised and thanks to the amazing engagement around this graphic, here is the v3.0 (or TLDR 👀) of the W3B/NFT 24-Hour Clock. A ton of significant stuff has been added, so you can still keep v1.0-2.0 as light versions if you don't like zoom in🤝 Feel free to dm for feedbacks
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Choose wisely. (@natealex vs @owlswtf)
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When the algorithm causes something so striking that you can't unsee it, it has a high chance of becoming iconic within a generative collection. This one is still overlooked and underappreciated, but it might be my all-time favorite @cryptopunks attribute.
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10,000¢ selected from a pool of 100,000¢. Each documented and digitized 1 by 1. Minted fully onchain on the Bitcoin blockchain, 1¢ to 1sat, after physical coins were melted as a copper cube of conceptual art. This is my 25¢.
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Here is a basic directory of @pepefestlol cards handmade during @wasthatawolf workshops (a delightful experience), including the 3 test cards made by Looney last week. Instinctively called these FEST RARES, but eager to discover alternative labels! festrares.siteoly.com/ 1/3
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Table of Rare & Historic Blockchain Assets (updated) Featuring low supply / scarce traits of old significant assets from🔵Namecoin,🟠Bitcoin,🔴Dogecoin,🟣Emercoin & 🟢Ethereum blockchains, from 2011 to 2020. 2011 🔵 Apr. 21 - "d/bitcoin" (Unique) 🔵 Apr. 21 - Genesis Day Names (Apr. 21, 2011 Supply: 80) 🔵 May 6 - "SOLD" Stamp (Unique) 🔵 May 10 - ASCII-Art (Punycodes & UTF8) (2011-15 Supply: 44) 🔵 May 12 - "d/hal" that belonged to Hal Finney (Unique) 2012 🔵 Jan. 20 - FUCK YEA OnChain Memes (Jan. 2012 Supply: 2) 2013 🔵 Dec. 28 - "One big ass piece of paper we can make entrys on giving us a date stamp that can never be deleted - Steven Marez" Quote (Unique) 2014 🔵 Mar. 9 - Dorian's Lament Poem (Unique) 🔵🟠 May 3 - Quantum & Monegraphs by @mccoyspace (2014 Supply: 13) 🟠 Jun. 12 - "OLGA" by @jp_janssen (Unique) 🔵 Jun. 15 - NamecoinFiles OnChain Logo (Unique) 🟠 Jun. 22 - "JPJA" by @jp_janssen (Editions: 100) 🟣 Nov. 09 - StarRevenge OnChain Illustration (Unique) 🔴🟠 Nov. 16 - "MYSOUL" by @rheaplex (Editions: 200 (2 Assets)) 2015 🟠 Feb. 14 - Artist: @weex (2015 Artworks: 15) 🟠 Mar. 11 - "FDCARD" by @AlexHurtadoArt1 & @shaban_shaame (Editions: 299) 🟠 Mar. 29 - Artist: @StephanVogler1 (2015 Artworks: 30) 🟠 May 28 - "BOOUUSEGG" by Boouus & @shaban_shaame (Unique) 🟠 Jun. 24 - "SATOSHICARD" by @DucosGuillaume & @shaban_shaame (Editions: 199) 🟢 Aug. 08 - Global Registrar Names by @_linagee (Aug. 2015 Supply: 42) 🟢 Oct. 19 - Etheria (Tiles with Builds) by Cyrus Adkisson (2015-16 Supply: 15) 2016 🟠 May 06 - "NINJASUIT" by Mayu Moss & @MandelDuck (Editions: 200) 🟠 Sep. 09 - "RAREPEPE" by Mike (Editions: 298) 🟢 Sep. 19 - DevCon 2 Tokens by @pipermerriam (Supply: 231) 🟠 Sep. 22 - Rare Pepes (<50 Editions) (2016 Editions: 780 (53 Cards)) 🟠 Oct. 13 - "DJPEPE" by @ScrillaVentura (Editions: 165) 🟢 Nov. 17 - PixelMap (Tiles with Images) by @KenErwin88 (2016-17 Supply: 31) 2017 🟠 Feb. 23 - "KEKSBASILISK" by @encryptedcharms & Psybin (Editions: 144) 🟢 Apr. 14 - Peperium (<26 Editions) by @J4DE3GG (Editions: 196 (24 Cards)) 🟢 May 9 - My Curio Cards (<100 Circulating Editions) by @travisformayor , Thomas Hunt & @rhett_creighton (Editions: 328 (6 Cards)) 🟢 Jun. 9 - Cryptopunks v1 (Aliens, Apes, Zombies, 0/6/7 attributes, Beanies, Hoodies and Invisible Punks (#76623, #9845944 & #2^256-1)) (Supply: 447) 🟢 Jun. 23 - Cryptopunks (Aliens, Apes, Zombies, 0/6/7 attributes, Beanies, Hoodies and Unclaimed v1 (#1416, #1838 & #1841)) by @larvalabs (Supply: 447) 🟢 Aug. 19 - MoonCats (First 10 / Genesis (Black & White)) by @ponderware (Supply: 106) 🟢 Aug. 31 - IKB Cachet de Garantie (DZIPS) by @mitchellfchan (Supply: 100) 🟢 Oct. 6 - DADA Creeps (Extremely Rares) by @PowerDada (2017 Supply: 50 (5 Artworks)) 🟢 Nov. 23 - CryptoKitties (Gen 0 Founder & Bug) by @dapperlabs (Supply: 103) 🟢 Dec. 26 - Ether Rocks (Supply: 100) 2018 🟢 Fev. 4 - CryptoJingles (v0) by Besoisinovi (2018 Supply: 24) 🟢 Mar. 19 - SuSquares by Su Entrekin & @fulldecent (2018 Supply: 33) 🟢 Apr. 5 - Artist: @videodrome (2018 SR Artworks: 56) 🟢 Apr. 7 - Artist: @XCOPYART (2018 SR Artworks: 50) 🟢 Apr. 23 - Artist: @obv_ious (2018 SR Artworks: 17) 🟢 May 24 - Artist: @VanArman (2018 SR Artworks: 11) 🟢 Jul. 23 - Secret Artwork by @rheaplex (Unique) 2019 🟢 Feb. 18 - Tokens Equal Text by @rheaplex (Supply: 32) 🟢 Apr. 6 - Autoglyphs by @larvalabs (Supply: 512) 🟢 Apr. 26 - K-Compositions by @gener8tive (2019 Supply: 76) 🟢 Dec. 19 - JOYWORLD JOYs by @JohnOrionYoung (2019 Supply: 85) 2020 🟢 Jan. 20 - ChainFaces (Legend & Pro Golfer) by @natealex (Supply: 32) 🟢 Feb. 7 - Avastars (Series 0) by @j1mmyeth (Supply: 200) 🟢 May 17 - Certificate of Inauthenticity by @rheaplex (Supply: 33) 🟢 Oct. 2 - Squiggly by @natealex (Supply: 100) 🟢 Nov. 5 - Mint That Shit by @natealex & @nft42_ (2020 Supply: 23) 🟢 Nov. 27 - Chromie Squiggles (Perfect Spectrum, Full Spectrum, Hyper Rainbow & Pipe) by @ArtOnBlockchain (2020 Supply: 200) 🟢 Dec. 27 - Neolastics by @simondlr (2020 Supply: <200)
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Hunt concluded for me with Cents. It's been a long time since I've had this much fun with a collection. Here are the 14 cents I'm ending with: 🧵
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Blockchain Collectibles Clock (v2023.3) A timeline of significant decentralized semi/non-fungible assets (ownable & transferrable), from 2009 Bitcoin genesis block to today. (file link 👇)
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20 Cents ≠ ¢20
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Cents reach a new $ ATH sale. It’s interesting to see more collectors paying 10x floor premiums for outstanding pennies. I bet some of these will reach 50-100x floor premiums someday.
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As a collector, it’s an undeniable achievement to acquire assets considered historic today. But it’s an even greater achievement to identify and acquire assets that will be considered historic tomorrow.
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Welcome home Blueprint 🤝 @OnChainAllStars
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These @OnChainAllStars may look like just another pixel PFP inspired by punks, but behind the collection is pure on-chain wizardry. The level of technical detail in optimizing on-chainness is art in itself. - Part 1: nitter.app/etovass/status/1947261… - Part 2: nitter.app/etovass/status/1947695… - Part 3: nitter.app/etovass/status/1948703… Amazing work @EtoVass @0x8BitArt
Today (July 22nd) is the mint day of @OnChainAllStars, a fully on-chain collection that we are releasing with @0x8BitArt, exclusively on @opensea Time to share more technical details in the thread bellow:
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What is the ‘First NFT’? That’s easily the most loaded question regarding NFT history — and for good reason. It’s sparked countless debates over the past few years, and it always will. Learn why — and who the contenders are — in this fresh article 👇 archivist-eth.medium.com/wha…
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Eras of non-fungible assets, their respective key events, rarity compared to today's total estimated supply, and some of their representative assets/projects.
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My 12 final Concretes by @____higgs____ & @0xdiid
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Spells of Genesis pre-Ethereum cards set complete 🤝
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Early Crypto Art: List of identified collectible artworks notarized by their creators on-chain before Ethereum's genesis block (July 30, 2015).
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Thrilled to welcome another on-chain masterpiece to my collection: 'Rothko on Pennies' by @YigitDuman. Grateful to @serc1n for entrusting me with the first secondary sale of this remarkable piece.
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The level of community curation on Cents is unprecedented—it’s art in itself. I can’t express how much I admire it. Over a year of daily work by the council.
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- Fuckyea by @iRyanBell - Screensaver by @Hanrgb - SNOW CRASH 1/1 by @thecryptobushi - KnownDestination by @0xdiid - Rothko on Pennies by @YigitDuman These 1/1 masterpieces of fully on-chain artistic expression are now finally united. Still a few more I’m aiming for, though.
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1¢ ≠ 1¢
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In the words of @0xdiid on @XCOPYART’s 'The Last Selfie', for his fully on-chain piece 'KnownDestination': "The Last Selfie is often referred to as one of the greatest works of cryptoart, but is at the risk of dying completely within 2 years. Minted originally on KnownOrigin, its IPFS pinning was the responsibility of the platform. With the platform closing down and only promising 2 years of pinning, the artwork itself is at risk of disappearing. Likely, the collectors and community will hold the line, keeping the file pinned and accessible on IPFS for the foreseeable future, and even if that's not the case it'll persist on social media and in the hard drives of people like me and you, much like the Nakamoto card before it. Despite its fateful sentence, Last Selfie hasn't seen any panicked sales or declining interest, it persists nonetheless. Perhaps even gaining more value with a story as old as time, financial conflict."
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Machine in the Ghost #10, secured
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Ladies & Gentlemen, time for a pretty fun & exciting announcement. History's first on-chain image has been officially uncovered, predating the Damselfly picture encoded in 5k Namecoin names by 1 year. fuckyea.bit minted on Jan. 20, 2012 was hiding this image all this time: 1/
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Rutherford passed away. Pennies stopped being minted. A profoundly sad and symbolic moment. ‘Chang’s Eternal Numismatic Tribute Stays’ – C.E.N.T.S.
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After making around 50K QQL generations so far, playing with dozens of different setups, I wanted to share my 25 favorite pieces. @tylerxhobbs @CozomoMedici @punk6529 I would love to have your thoughts on these 👨‍🎨 #QQLduel #QQL 1/25 "Tuscany hill"
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I’m not much of an accumulator—partly due to more limited liquidity than bigger collectors. It means I have to be extremely selective and ingenious to secure key assets that shape an eminent historic collection. Here’s a thread showcasing some of them (sorted chronologically) 🧵
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Just received physical counterparts for Machine in the Ghost #1 and #10. They are amazing @0xdiid @stephensantoro_ 🖤
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Some key criteria to consider when collecting blockchain assets/NFTs, which will become even more crucial in a post-AGI world.
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One year after completing the 14-card Spells of Genesis pre-Ethereum set, the full 43-card 2015 set is now complete 🤝
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Time wears and tears sealed in digital amber.
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If I had to pick one piece per protocol: - Namecoin: FUCK YEA #1 (2012) - Colored Coin: Mothership #1 (2013 - Monaghan) - Counterparty: KETF (2015 - Sterry) - Bitcoin: Face 5 (2015 - Vogler) - Ethereum: Nude Portrait #1 (2018 - Barrat) - Ordinal: Cents Block (2024 - Chang)
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Thrilled to add 'KnownDestination' by @0xdiid and 'SATOSHI – CypherDude #0' by @I____felix____I to my collection — two brilliant fully on-chain crypto artworks I’m convinced will become historic. Grateful to @ol1y_art and @BnoiitC for the opportunity to steward these pieces.
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Due to a contract bug and LL's (artist) consensus, v1s lost Cryptopunks (art) ownership status in 2017 following the v2 airdrop. The v1 wrapper emerged 4 years later. Today, v1s serve as an immutable timestamp. As a Punk owner, I just aim to own both versions for full provenance
GM. The narrative you’re being sold today will change over time. Myth: @v1punks are just cheaper versions of the real thing. Reality: In my professional opinion, drawing from my collecting experience, the long-term outlook for V2s may face challenges🧵
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Here is the supply rarity of Non-Fungible Assets per era compared to the total number of assets, what I consider the only objective rarity measure. And since retroactive timestamps are impossible with blockchain, the rarity % of each closed era can only decrease over time.
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Turns out, many of my favorite pieces in the collection are black and white. Fuckyea Ed. 1 (Jan. 2012) by @iRyanBell Face 5 (Apr. 2015) by @StephanVogler1 Ryan O'Reily (Aug. 2018) by @obv_ious John AI. Doe (Sep. 2018) by @artonymousart Chaos Road #162 (May 2023) by @ChainLeftist You Are Here #42161 (Jan. 2024) by @0xShiroi Prop (Jan. 2024) by @Hanrgb SNOW CRASH 1/1 (Jan. 2024) by @thecryptobushi Machine in the Ghost #135 (Aug. 2024) by @0xdiid
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Really proud to have won the auction for this remarkable piece by @obv_ious
#AuctionResult Lot 83 'Stagnant Elixir's Sweet' by Obvious in our July First Open online auction exceeded its high estimate, realizing $35,280! Congratulations to all parties and artists involved! @obv_ious
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Think about it
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Pre-Ethereum Blockchain Grails • Number of Assets: 155 (673 with Units/Editions) • Major Art & Heritage Museums Worldwide: ~500 • High-End Art & Historic Artifacts Sold Over $1M Annually: ~1,000 • HNWIs Investing in Art & Historic Artifacts Annually: ~100,000
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I love exploring @bagdelete ´s ‘Trapped JPEGs’. Some standout pieces hide intriguing 1/1 entities, such as this statue, a piano, balloons, tigers, a ball pool, a shadow figure, or even floating legs.
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Replying to @xEbumx
To me Cents is one of the most relevant collection yet on Ordinal, artistically insane and perfectly executed. My personal conviction is that it would become a true historic collection within NFT/Ordinal ecosystem in the future, what is my main topic of study.
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I can't imagine a future where these 30 artworks aren't outrageously valued. Bitcoin, 2015.
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They stress-print with meme coins until holding gets boring. Then, they chill with profits in btc/eth until holding gets boring. Finally, they crave the few scarce and historic blockchain assets still in circulation as a SoV and realize that holding never gets boring.
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I’m happy to finally release the Namecoin names explorer we are side-working on for a few months with @n3t_eth @ImDecentraliser: NMC .Vision. 🔗nmc.vision 🐦@nmc_vision 1/15
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I'm glad to add 'Off-Chain Art', the proof of concept for a simple yet brilliant framework that will let artists preserve their digital work 'off-chain' in a decentralized way.
Off-Chain Art auction has been finalized an acquired by @thearchivist! Thank you ❤️ I'm now working on a simple frontend and the standard for everyone to use this framework
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1/ Journey into the history's first NFT trade excavation Few days ago, while working on @thenfttimeline, I noticed none of us NFT historians seemed to have thought about digging to find the first recorded NFT trade. The first NFT ever traded.
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13 years ago today, on January 20, 2012, the ‘FUCK YEA’ meme was encoded fully on-chain within a Namecoin name value. The birth of memetic assets. Discovered in 2023, this cypherpunk graffiti is now claiming its spot in blockchain and NFT history. Learn more in this video 👇
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Table of Ancient, Early, and Modern Crypto Art & NFTs
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I collect historical blockchain collectibles based on digital ownership evolution arc—not on what chain it’s on. If it was the best shot at the time, the flaws just make it real. It’s about what was possible then, not how clean it looks now.
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These two collections have both their algo and outputs stored fully on-chain. When AI art meets blockchain immutability.
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Graphics Kit for NFT Collectors
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My Subjective Top 0.0001% of Old Blockchain Collectibles (2011-2020) • Total Supply: 6,459 • Museums & Galleries Worldwide: ~125,000 • High-End Art & Historic Artifacts Sold Over $1M Annually: 1,000+ • HNWIs Investing in Art & Collectibles: ~5,000,000 (8-10% of ~59,600,000)
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Thank you @iRyanBell for the past 7 days of emailing about blockchain history — you're a true pioneer.
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I built a trait explorer for the 101 'Infinite Skulls' by @videodrome & Ronan Barrot. These artworks are the result of a historic collaboration between a painter, a GAN & its creator, initiated by @avant_galerie in 2018. Many thanks to them for all the data. Links below 👇
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Welcome to the vault, 'Machine in the Ghost' #1. The physical counterpart, 'Mother Nature', will have a special place at home @0xdiid @stephensantoro_ @VertuFineArt
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I released an article with the help of Daniel Kraft (Chief Namecoin Scientist) that delves into expired Namecoin names & their provenance misconceptions. I hope this will provide better clarity to various questions that may have led to confusion. punisher-eth.medium.com/name… 🧵1/17
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Warmest thanks to @takenstheorem for allowing me to own my favorite piece from 'Machine in the Ghost' by @0xdiid #135, a standalone output that turned Fritz Petzholdt's German Landscape into a monochrome rotational symmetry that's just as captivating when viewed upside down.
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Following recent discussions by @punk6529 , @batsoupyum and @CozomoMedici , this just came to mind:
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Who's gonna build the Facemash for NFTs?
1/ On UNP (Unified NFT Physics) Or: “So Few NFTs, So Many NFTs” wif Math We will go with a single post from the beginning this time, the way the big boss now wants us to do it I am happy with the spirit of the discussion we had this week about how few good NFTs there are vs fungible tokens. I am less happy about our attempts to categorize them. They are low resolution, incomplete and do not capture disagreements well. Today I will propose a unified mathematical framework that I think can capture the full breadth of anyone's views about NFTs (or art) in a way that is transparent, comparability and supportive of enriching discussions, not reductive ones. 2/ NFT Collectors Do Know Some Things Serious NFT collectors have a quite sophisticated understanding of NFT importance at any given point in time, how it changes over time, and how different collections serve different purposes. Even when we disagree among ourselves about any specific piece or any specific collection, it is a limited disagreement within a broader agreed framework. It is not like we are living in universes with different laws of physics. 3/ Spreadsheets: Good and Bad The spreadsheets that people are making are good first attempts but they are at least 2 orders of magnitude lower resolution than how I think about it. So very logically people are saying “wait, what about this and what about that and you forgot this and it is not that simple” and obviously that is all true. And the spreadsheet does not have a straightforward / computable way to express disagreements within a broader agreed physics. 4/ All Concepts In One Framework So, I did a little thinking yesterday about how we can integrate all the concepts into a unified physics where you can disagree about any specific value but do not disagree about how to do math. The Concepts: a) Collection power laws b) Individual NFT power laws c) Fractal power laws (global, national/regional/industry, local) See here: nitter.app/punk6529/status/151833… d) 1/1s vs Editions e) PFPs vs Generative vs 1/1s of various types vs even utility and fun NFTs. They all fit in here just fine. f) Works for any chain The idea is that we can argue about values, but we do not argue about the physics. 5/ Objections! Let me also deal with all the objections upfront: a) People will disagree about which NFTs are important and which collections and artists are important! True! Of course people will disagree. I disagree with myself half the time! The idea here is to allow you to express what you believe in a way that is legible to someone else. b) The values will change over time! No kidding, everything in the whole world changes over time. Why would NFTs be an exception? c) Not everything can be quantified! True! But a lot of things can be roughly quantified. d) Art is not about lists, come on, this is so crypto/tech bro stuff! Well, yes and no. I don’t have lists for everything, there are many things I can’t quantify about my art feelings. But if anyone tells you they have no actual preferences, no ranking, everything is a random function, including how they feel about trad art and NFTs, well that is a lie. 6/ Which One Would I Pick The way I think about it is very simple. I do pairwise selection. I think about two NFTs and think which “one I would prefer to see in my wallet”. The reasons that I prefer one may be purely qualitative, emotional, ineffable, but I obviously have preferences. Everyone has preferences. Some people collect Monet, some people collect Picasso. That is a preference. Whether you write it down or not, it is an objective fact about the world that you either have Picassos or Monets on your wall or Rare Pepes or Cath Simards in your wallet. So the goal here is not to replace our views on what you like but make them more legible, more comparable, allow us to express our agreements and disagreements in a more precise way than Pepe Bad, Aversano Good! 7/ First Draft Consider this a first draft and then we can plug some actual figures into it and see how it works. Some of the formulas need values for the parameters to determine the slope of the various curves. There will be some trial and error to figure those out, but I think they are broadly right. Don’t be intimidated by the math formulas. They look scarier than they are. Once we get to the point that they are final, we will explain how they work and make tools. Also, X does not support LaTex so the formulas look ugly written out. 8/ Two-Layer Scores We need to have two-layer scores – One for Collections and One for Individual NFTs within collections. Collection-Level Score Let C_Cj(t) be the Importance Consensus of collection Cj at time t, constrained to the range [0,1]. A high C_Cj(t) close to 1 means near-universal agreement that this collection is historically/culturally “important/blue-chip/socially constructed” A new or unknown project might have C_Cj(t) around 0.01. The ungrouped 1/1s of a specific artist can also be considered grouped as a single Collection for this purpose NFT (Token-Level) Score Within a Collection Within collection Cj, each token n has a local “importance” factor r_n(t), also in [0,1]. For a typical “floor” piece, r_n(t) might be about 0.2. For a best piece in the collection, r_n(t) might be > 0.9. 9/ Overall “Importance” In plain English: - for a 1/1 or 1/1/X, we multiply Collection Score x Token Score So if a collection has a collection score of 0.5 and the Token has an in-collection score of 0.3, the token score is 0.15. - for a 1/X (edition) we reduce the score but not linearly because I don’t think it works that way. The reduction in importance for editions is much less harsh than linear and this is best described with an example. Imagine that I think that the Rare Pepes have a Collection Score of 0.95 and the Nakamoto Pepe has an in-collection score of 0.98. This would mean that Nakamoto Pepe has a score of 0.931 before accounting for edition size. Given the Naka has an edition size of 300, if we divided equally, the score for each individual edition token would be 0.931/300 = 0.003103. This is obviously wrong. 0.003103 is a very low score and individual Naka editions are very valuable and desirable and, yes, important. The score should be something like 0.7 instead. 10/ Overall Importance (Formulas) Same thing with a bit of math - define each NFT’s total score as: C_tilde(n, t) = C_Collection(n)(t) * r_n(t) * E_factor(n) where: • C_Collection(n)(t) is the collection’s brand score in [0,1]. • r_n(t) is the token’s local rarity in [0,1]. • E_factor(n) = 1 / [1 + alpha * ln( edition_size(n) )]. Explanation of E_factor(n): • If the edition_size(n) = 1 (a true 1/1), then ln(1) = 0, so E_factor(n) = 1 (no dilution). • If the edition_size(n) is large (e.g., 300), E_factor(n) = 1 / [1 + alpha * ln(300)]. The parameter alpha > 0 controls how steeply the factor drops for bigger editions (can be tweaked for a larger or smaller penalty The alpha parameter determines the penalty. For the Naka in my example to be 0.7, the alpha parameter should be 0.058. I think the right answer for editions is in that range – I need to plug in a few more to see. 11/ Infinite Minting but Power-Laws Hold Obviously there is no limit on how many collections and how many NFTs will be minted Let M_coll(t) be the number of collections minted by time t. Let M_token(t) be the total NFT tokens minted by time t. As t goes to infinity, both can grow arbitrarily large. 12/ Distribution Assumptions (Power-Law Tail) Collection Distribution: C_Cj(t) is distributed according to some heavy-tailed distribution F_{C_t}(x), x in [0,1]. In plain English: “Most collections have low Importance Consensus, but a tiny fraction approach household-name status.” Token Rarity Distribution (within a collection): r_n(t) is distributed according to G_{Cj,t}(r), r in [0,1]. Typically also skewed, though often less extreme than the collection-level distribution. This can be analyzed per collection because it is different in one collection vs the other. Punks absolutely have highly skewed distribution. Incomplete Controls have almost no skew at all. You can think of collection-level skew as: “how happy are you to be allowed to pick your specific NFT from a collection vs receiving a randomly selected one”. Overall Score C_tilde(n, t) = C_{Collection(n)}(t) * r_n(t): When the product (multiplication) is near 1, that event is extremely rare (a remarkable NFT from a remarkable collection or remarkable artist). 13/ Local–National–Global Tiers I believe only 5 to 50 NFT artists or collections or pieces will become truly global memes will make it into the global pantheon of cultural memes (there are only a xxx to low xxxx truly global memes) but thousands / tens of thousands / hundreds of thousands will make it up to the national, local, niche level. This is represented by thresholds. tau_local(t): threshold for “local/niche success.” tau_national(t): threshold for “regional/national brand.” tau_global(t) ~ 0.95 or 0.99: near-universal brand recognition. At time t, an NFT is in the global pantheon if: C_tilde(n, t) > tau_global(t). Likewise for local/national thresholds. Because of the power-law tail, the probability of crossing something like 0.95 is extremely small, so only a handful of tokens or collections achieve it. Or in plain English, we have tiers for the scores. We can also have category tiers as some categories may be less developed and have lower scores. So the most important gaming NFT will be less important than most important art NFT but would still be interesting to now. 14/ Time & Lindy-Like Stickiness Lindy’s Law: The Longer Something Survives, The Longer It Will Continue To Survive This absolutely applies to NFT collections. The more years an NFT collection remains recognized at a high tier, the more years it is likely to remain at that tier. This is true for chains, it is true for tokens, it is true for many things in life. The longer it survives, the longer its future survival will be. We can model this via a survival probability that increases with “time in tier.” 15/ Time in Tier Formulas Time in Tier, Delta_tier(n, t) Define Delta_tier(n, t) as the continuous amount of time that NFT n has alreadyspent above threshold tau_tier. For example: Delta_global(n, t) = integral from s = t0 to s = t of [ 1 if C_tilde(n, s) > tau_global else 0 ] ds, where t0 is the time it first crossed into that tier. In plain English, how long has it been at a certain score. Hazard Function / Stability Once you are in a tier, define a “hazard rate” for dropping out: lambda_tier(Delta) = lambda_0 / (1 + alpha(hazard) * Delta), where lambda_0 and alpha are positive constants. This means the longer you have been in that tier (the bigger Delta is), the lower the hazard rate. In simpler terms: “If a collection has already spent 2 years as top-tier, it’s more likely it’ll remain top-tier for at least 2 more.” This is the fair way to express that Rare Pepes or Punks are more Lindy than any new collection, but any new collection might emerge and if it also stays strong over time, it becomes Lindy too. It also is a way to account for the pump-y flash-in-the-pan nature of most crypto assets, including most NFTs. They won’t spend much time in tier. 16/ The Concepts Again Infinite Supply: Both collection-level and token-level minting are unbounded. Two-Layer Score: Each NFT’s “importance” = (collection brand) * (local rarity). Getting near 1 on both factors is very unlikely, with a reducer penalty for the individual tokens of editions. Local–National–Global Tiers: We have thresholds tau_local < tau_national < tau_global. The measure of NFTs that cross tau_global ~ 0.99 is infinitesimal, explaining the “5 to 50 global memes,” “3,000 apex tokens,” etc. Lindy Stickiness: Once a token or collection stays in a high tier for months/years, the hazard of losing that status declines. The set of “Impossibly Rare” or “Global Pantheon” pieces gets increasingly locked in if they can keep their cultural relevance Slow Supply Expansion at the Apex: New good collections do appear, but the road to the highest tiers is tough, and the road to stay in the highest tiers is tougher (needs time). Consumer vs. Apex: Meanwhile, billions of “Fun NFTs” never approach tau_global. They function like fan merch or ephemeral mints — great use cases, but not “global culture-grade” assets. There is no hard breaks, just a continuous expansion of collections and individual tokens as you go to the “lower” levels. 17/ Equation Summary The equations in one place Collection Score Distribution (heavy tail near 1): P( C_C(t) > x ) ~ k * (1 - x)^alpha, with alpha > 1. Token Local Score: r_n(t) ~ G_{C,t} (Likewise heavy-tailed but usually less extreme than the above.) Overall Score: C_tilde(n, t) = C_{Collection(n)}(t) * r_n(t). (Near 1 is super rare.) Edition Factor: E_factor(n) = 1 / [1 + alpha * ln( edition_size(n) )] (This penalizes large editions but not as severely as dividing by the full edition size.) Tier Threshold: Suppose tau_global(t) is about 0.99. Then the expected number of tokens crossing that threshold is: M_token(t) * P( C_tilde > 0.99 ). Lindy Hazard: lambda_global(Delta) = lambda_0 / (1 + alpha * Delta), (The older your apex status, the less likely you lose it.) 18/ Next Steps This is a much more accurate mathematical expression of how I think people think about NFTs. What are next steps: a) I want to read reactions, comments, ideas and sleep on them for a few days b) I will write this up formally in a “white paper” that is implementable by anyone who wants to do this c) I have already spoken to someone who may be able to do a proof of concept for us to play with In a few days, we can play around with something specific. Look forward to everyone’s thoughts
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I’m seeing some fomo around MoonCats as 2017 assets. It’s an amazing collection. But while OpenSea legitimately shows it as 2017, keep in mind only 10% of the 20k wrapped cats are actually from 2017. 80% were minted in 2021. Don’t forget to use the ‘Rescue Year’ filter.
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Black & white onchain dynamic art looks mesmerizing when you gather multiple collections. Chaos Roads by @ChainLeftist Hidden in Noise by @404dotzero LightOnChain by @404dotzero & @Hanrgb Black Hole by @miragenesi Mercurials by @nvonpentz deca.art/archivist/bw%20onch…
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Here is a cheat sheet + graphic to help better understand the Namecoin naming system. Namecoin is history’s second blockchain and first altcoin (forked and customized from Bitcoin) which was launched in April 2011. It was created by Vincent Durham (aka “Vinced”) to provide the world with the first decentralized human-readable and non-fungible key/value pair (name/metadata pair) registration and transfer system, giving people the ability to have full control over their digital content and identity. Inspired by the BitDNS idea (which was discussed by Appamoto, Satoshi Nakamoto, Gavin Andresen and few more key crypto actors in 2010) and by the Nakanames paper (which was shared by Aaron Swartz in January, 2011 and used a Bitcoin-like system to “square” Zooko’s Triangle), Namecoin became the first protocol to bring true ownership of a domain, identity, or custom data without the risk of it being taken away by a centralized entity. It is the earliest applied solution to Zooko’s Triangle, the long-standing problem of producing a naming system that is simultaneously secure, decentralized, and human-meaningful. To accomplish that, Namecoin added additional rules to the Bitcoin protocol to work as a decentralized database keyed by names serving as the assets and unique identifiers for its features and tracking. Additionally, to prevent names from being squatted indefinitely or lost forever, it implemented an expiration system after 36,000 blocks, making names available for registration again by anyone if they are not renewed or updated. Therefore, names have three different statuses in that database: 1) names that are active and not expired (whether or not re-registered), 2) names that had been registered already, but are now expired, and 3) names that don’t exist in the database at all, because they were never registered. This system allows for multiple possible applications, such as DNS (.bit), identities (id/), documents timestamping or creation of other forms of blockchain-based collectibles. Besides, Namecoin names are considered to be history's first non-fungible assets, so described by Vitalik Buterin in the 2014 Ethereum whitepaper. Namecoin genesis block: Apr. 19, 2011 02:59 PM +UTC (block 1) Namecoin genesis name - "d/bitcoin": Apr. 21, 2011 05:44 AM +UTC (block 142)
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Specs analysis of Namecoin, Counterparty, Ethereum (L1) and Ordinals for asset custody and preservation
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Index of blockchain collectibles that emerged before Ethereum's genesis block (July 30, 2015).
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Permanent Collection update • "SOLD" Stamp (May 6, 2011 - Namecoin) • FUCK YEA OnChain Meme (Jan. 20, 2012 - Namecoin) • Face 5 by @StephanVogler1 (Apr. 2, 2015 - Bitcoin) • Cryptopunk #3606 by @larvalabs (Jun. 23, 2017) • Ryan O'Reily by @obv_ious (Aug. 21, 2018) • John AI. Doe by @artonymousart (Sep. 9, 2018) • The_Coin #32 by @takenstheorem (Jul. 12, 2021) • Blue Moon (1/3) by @miragenesi (Aug. 18, 2021) • Terraform #3254 by @mathcastles (Dec. 17, 2021) • Chaos Road #162 by @ChainLeftist (May 3, 2023) • Cartae - Just Between Us (1/1) by @0xdiid @tetragocommando (Oct. 1, 2023) • Screensaver & 🆕Prop by @Hanrgb (Nov. 17, 2023 & Jan. 18, 2024) • 🆕You Are Here 42161 by @0xShiroi (Jan. 8, 2024 - L0) • 🆕SNOW CRASH (1/50) by @thecryptobushi (Jan. 31, 2024) • 🆕Reflection - clôture cognitive by @VanArman (Feb. 7, 2024)
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I just snagged the Cryptopunks v1 <> v2 story
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3 genius on-chain art projects still quietly minting. Owning a piece from these might be something you’ll regret missing out on: - 'Crimson Echo' by @ChainLeftist (proof of donation mint) - 'Post Mortem' by @tokenfox1 & @tetonotsorry - 'FOCM3' by @EtoVass
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If you collect things you treasure and know why, you’ll never talk or worry about prices action.
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The eye of @____higgs____ is secured.
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Some context: Historicity: When was this created? → Asset's place in the historical record. Originality: Is this pioneering? Has it been seen before? → Innovation of the asset. Rarity: How many exist? → Quantity and uniqueness of assets of this type. Scarcity: Is there demand for it? Can I acquire one? → Desirability and availability of the asset. Eminency: Is it culturally significant? Does it make the consensus? → Social importance of the asset.
Following recent discussions by @punk6529 , @batsoupyum and @CozomoMedici , this just came to mind:
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I recently acquired this intact 1.96 inch T. rex’s rooted tooth (meaning it was from the last polyphyodonty cycle before the death of this specimen), with authentic predation wear marks preserved. This is the kind of prehistoric & unique provenances that fascinates me.
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Recurring thought: ‘NFT’ refers to too many confusing concepts for a broad audience (What exactly is a token? What does “non-fungible” really mean and when does it apply?). Our pitch should be both simple and meaningful: Data You Truly Own.
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Bell, Sterry, Vogler. The quintessence of Crypto Art. Three methods, one ethos: Art conceived for the blockchain, notarized on-chain, with digital custody at its core. Jan. 2012, Feb. 2015, Mar./Apr. 2015.
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And just like that, @Hanrgb — one of the crypto artists I hold the deepest conviction in — gifted me CryptoCube #81. A groundbreaking collection I’ve long had on my wishlist. I truly wasn’t prepared. Still processing — thank you, really. It goes straight to the vault.
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Great to see someone mapping this, great job. It highlights something pretty interesting: how today's floor prices and desirability reflect 'rarity,' which makes sense. That said, my inner archivist would approach this without factoring in market value, to avoid the hype that floor prices can bring, because that's tough to predict and would mean updating the list regularly. From a long-term perspective, and leaving market trends aside, I’d definitely consider these (pre-Eth focus list versus pre-2021 hype focus list):
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This junior’s straight out of Severance @poof_eth @gremplin
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I see, once again and following my recent article, some people from the historical NFT niche pointlessly PvPing over which protocol has the 'true' first NFTs worth collecting — which is, obviously, entirely subjective. So let's make it clear 👇 Canonically, for collectors: - it does make sense to acknowledge and collect Namecoin or Colored Coins assets created before Counterparty established a new consensus. - it does make sense to acknowledge and collect Counterparty or Dogerparty assets created before Ethereum established a new consensus. - it does make sense to acknowledge and collect Ethereum non-standardized assets created before ERC-721 established a new consensus. - it will make sense to acknowledge and collect ERC-721 assets created before a newer, more modern standard or protocol establishes a new consensus. It’s honestly that simple.
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16/25 "Kaiju in Tokyo"
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Yesterday, I finally completed my Spells of Genesis pre-Eth cards set. But a few months ago, I completed another very special set to me, as it's fully on-chain & only one full set can exist since 2 of the cards are 1/1s. Cartae by @0xdiid , feat. @moody_marv & @tetragocommando
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Updated with context. Which collectibles are H.O.R.S.E. collectibles and will gain the traction they deserve?
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Inscriptions bringing lot of attention & desire to collect on-chain punk-vibe graffitis, I like it. Curious to see the level of degenity when people will realize about these giga-punk level experiments from the emergence era, 8 to 12 years ago.
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There is less than 100 crypto arts & graffitis with on-chain proof of authenticity predating Ethereum’s genesis block (Jul. 30, 2015). Most top collectors & institutions overlook them due to niche visibility and archaic UX. But when the chase starts, it’s gonna be next level.
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"Hope's Horn" just join my personal collection. This baby triceratops horn (~67Myo) shows healing from a large pathology caused by an adult T-Rex's bite, indicating 'Hope' survived an encounter with Earth's most dangerous predator to date—an exceptionally rare testament.
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My strategic crypto museum.
My strategic crypto reserve. What's yours?
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MECA - Museum of Early Crypto Art
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Did you know that 8 to 11 years before Bitcoin Ordinal inscriptions, some pioneers managed to fully "inscribe" image files into various blockchain collectibles' metadata using base64 two-way hash standard? Here are the 10 oldest historic artifacts of these. 🧵
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Feelin’ comfy
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Worse than a high price for a desirable non-fungible is no price at all. Once an ultra-scarce piece lands in the hands of the right collector, it may remain unattainable forever.
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$100M Market Cap
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And as this ‘provenance-first culture’ takes shape, today’s provenance-first collections could become the provenance-first museums of tomorrow.
1/ On Fiat Culture NFTs are the scarcest cultural objects ever made, the only cultural objects with pristine provenance. They are not BTC, but they will behave over time in ways that emotionally parallel BTC for the $100T in global intangibles.
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I'm now the proud owner of @StephanVogler1 Face #5 🔥 It's been months I wanted to acquire one of these Legend pieces, among the earliest forms of digital art tokenization back in 2015, the dream finally came true. I will take a warm care of it Sir 🤝
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I'm now the proud owner of the first 'My Brain On Chain' mint 'Sagittal #01' by @DocT___ & @vivid_ordinals. It will have a special place in my on-chain art collection.
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Of all the assets I own, digital or physical, this one continues to fascinate me the most.
"Hope's Horn" just join my personal collection. This baby triceratops horn (~67Myo) shows healing from a large pathology caused by an adult T-Rex's bite, indicating 'Hope' survived an encounter with Earth's most dangerous predator to date—an exceptionally rare testament.
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If you don’t think the jpeg on the left is infinitely more appealing than the jpeg on the right then you are truly lost, there is no hope
If you don’t think the jpeg on the left is infinitely more appealing than the jpeg on the right then you are truly lost, there is no hope
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This weekend I finalized the acquisition of Infinite Skulls 18/101 by @videodrome & Ronan Barrot (2018) via @avant_galerie, marking an unprecedented collaboration between a painter, a GAN & its creator. A thread was aimed, but this @artnome article about it is another level.
AI Artist Robbie Barrat And Painter Ronan Barrot Collaborate On “Infinite Skulls” @DrBeef_ artnome.com/news/2019/1/22/a…
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