American country/folk artists like Zach Bryan represent the cultural product of a certain people, time, and place— and should be appreciated as such.
I think many coastal conservative intellectual types fail to see importance of the genre, maybe out of a desire to be seen as someone who is above it, to be seen as enjoying Bruckner or Schubert (generally, these types are personally tone deaf, but enjoy the warm feeling of sitting in a certain box at the Kennedy Center)— the same desire that led them to put on the bow tie and LARP as Buckley until 2022.
Really, the surge in popularity of the country genre, which has ~10x-ed in revenue ($) and other metrics over past 25 years, is rooted, I suspect, in mass nostalgia for an America that has mostly died.
It’s maybe hard for “normies” to articulate the loss of the thing that was America before mass migration and other economic / technological shifts, but the music resonates with them, it's a sort of artistic memorialization the old American ways.
Yes, I appreciate great music of Western tradition, especially much of the forgotten church music— I post it often through one of my efforts,
@KyrialProject— few others do on this platform.
But I also think not enough intellectual energy has been directed toward understanding the recent growth of the American country/folk scene.