Filmmaker. Director. DP. Cam Op. Sony FX6 owner/op for hire. Also HH/Hard/PTZ, V2, tech, GAV, etc. Happy to help. esse quam videri
Frisco, TX
- Tweets 112,862
- Following 1,020
- Followers 3,228
- Likes 86,902
I am available for any and all production work & film gigs in the Dallas area, willing to travel too. I am a camera op, also have experience as a DP, AC, PA, AVL assist, tech/hand, etc. Eager to work & learn.
My DMs are open and you can also find me here: instagram.com/refocusedmedia
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"What would you do if you had 280 characters?"
"I tell you what I'd do man... two tweets at the same time, man."
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David Lynch high school yearbook photo, and one with his girlfriend Judy as “cutest couple”
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On the set of FREAKS & GEEKS with @JamesFrancoTV, @JasonSegel, @SethRogen, @PaulFeig @LindaCardellini, & @JuddApatow
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"the family wants to continue making money off their dead relative no matter how unethical" gee no way
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possibly one of your most embarrassing tweets, which is a huge accomplishment this late in the game
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Forgot how good Brosnan was as #JamesBond nitter.app/refocusedmedia/status/…
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Kubrick operating whip pans during one of the axe-door sequences from THE SHINING nitter.app/refocusedmedia/status/…
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Caught my kids enjoying IT'S A WONDERFUL LIFE so I turned it off and we all read thinkpieces together about how problematic it is
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you’re supposed to be better than this, you’re not supposed to listen to these losers wanting to log TV shows
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Production replicas of John Travolta and Nicolas Cage, made for the skin removal scene in FACE/OFF by SFX artist Kevin Yagher and crew (more at instagram.com/yagherfx)
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Bong Joon-ho honoring Scorsese and giving him a standing ovation is the absolute highlight of the evening no matter what else happens
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Crowd of fans gathering at Love Field (off George Coker Cir) to welcome home our @DallasStars #GoStars
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“Ah, well. Nevertheless” is a constant reference since it was tweeted. And my personal favorite
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The real LA LA LAND/MOONLIGHT story is how the filmmakers love each other while everyone uses them for thinkpieces & sociopolitical attacks.
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Soon there will only be one way left to see a film how the filmmakers actually intended it to be seen: be part of the post-production team who finishes it for release
Amazon Prime Video has launched a new feature ‘Dialogue Boost’ on select titles.
The feature is described as an “AI-based approach” that allows viewers to adjust the volume of spoken dialogue without changing the volume of background music or sound effects.
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miss him every single day
Philip Seymour Hoffman and Joaquin Phoenix on the set of The Master
nitter.app/RealEOC_2/status/12940…
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Andrew Dice Clay discusses a pet project of his with Martin Scorsese on the set of Vinyl vimeo.com/107105130
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I was gonna watch 6 UNDERGROUND on my phone but I read that it deserves to be seen on the biggest screen possible so I’m gonna watch it on my iPad instead
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I knew I recognized BB-8 from somewhere nitter.app/refocusedmedia/status/…
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William Shatner and Leonard Nimoy share a laugh between takes during the 1967 filming of "Star Trek"
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here are some more (and the likely source) thetexaschainsawmassacre.com…
Came across these incredible, high quality behind the scenes shots from the original Texas Chain Saw Massacre over on Tumblr and man, that's one movie that it's hard to even imagine a bunch of friends just hanging around making. It's still so raw and real to me. Anyway. Enjoy.
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Love this shot of Zack Snyder on the JL set listening to the criticisms of visiting film bloggers
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Kubrick plays drums w/ The George Lewis Ragtime Jazz Band of New Orleans in Lewis’ backyard, New Orleans, 1950
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Christian Bale takes a look through the viewfinder on the set of THE DARK KNIGHT RISES, 2012
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Some dude spent a week "fixing" the de-aging in THE IRISHMAN using an open-source deep fake tool & it actually looks pretty good.. says he could've produced even better results with more time. Fascinating comparison to the million-dollar Netflix results: piped.video/dyRvbFhknRc
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Even moreso when you consider that the original push of digital and CGI-riddled productions was that it was cheaper than shooting on film and in real locations.. very clearly not the case now, if it ever was.. it was always about studio control & making more choices in post
Mindboggling that Oppenheimer cost 1/3 the budget of Indy 5, including shooting in IMAX and real outdoor sets
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this thing where studios crop their filmmakers' work in order to compensate for mobile viewing is both abhorrent and insulting
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Young Christopher Nolan in Africa, part of late photojournalist Dan Eldon's documentary crew, early 90s vimeo.com/79857057
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They say "write what you know!" but I just can't imagine anyone wants to watch a film about some guy killing it on Twitter every day.
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Film Twitter: "Cinema lives only in the theatrical experience & physical media"
Coen bros signing deal with Netflix:
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These AI tech bros are cut from the same cloth as the Elon blue check army. Seething with rage & jealousy at people with actual talent or creative ability and believing that by dumbing everything down they will even the playing field and be seen as just as important or famous.
Prediction: AI video will be in horror films as B-Roll within 3 months.
I mean look at some of the stuff from @thedigiguru, it's more creepy and creative than anything you see in films.
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lol what an incredible way to have to admit that you wrote terrible jokes everyone hated
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Tommy Wiseau and THE ROOM are being heralded as a triumph of human spirit & how beauty can come from earnest failure when really it's a story of how this garbage culture of ours revels in the dumb and the bad & values memes over substance
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Some guy found his dad's call sheet from the September 27, 1973 day of shooting BARRY LYNDON, more info here teddit.net/r/Filmmakers/comm…
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I wonder what else Netflix has authorized themselves to do with the creative work of the thousands of filmmakers they financed projects for.. did anyone read their contracts? Maybe this kind of insidious shit was their endgame all along
Netflix has already used Machine Learning based on their content library to train an AI to do match cuts. They are very excited about it.
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Here is the official source/credit for this amazing photo, looks like there are many more where it came from gofundme.com/amodernghost
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This is one of the best indie filmmaker interviews I’ve read in awhile. These guys are smart and practical and hilarious. I will watch anything they decide to do next.
An example of ultra-low-budget filmmaking done successfully and creatively today -- Mike Cheslik and Ryan Brickston Cole Tews reveal all about @beaversfilm to Doug Dillaman. Unlocked from our print issue. filmmakermagazine.com/126576…
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John Hurt has a smoke break between takes during filming at Shepperton Studios for ALIEN in 1978
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APOCALYPTO was just added to Amazon Prime. It's a must-watch if you've never seen it, and it's not available to stream anywhere else (never has been AFAIK).
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Carrie Fisher as Princess Leia, seen through the Moviola Upright system, during production of STAR WARS at Elstree Studios, May 1976
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used a dragon
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Carrie Fisher & Harrison Ford shooting the sandstorm scene on the first day of principal photography for RETURN OF THE JEDI, January 1982
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Thanks to @2001_italia & @Ushabye for the heads up, looks like a genuine screen-used Space Station V docking bay prop from Kubrick's 2001: A SPACE ODYSSEY has surfaced from someone's private collection; fully restored & on display here: teddit.net/r/StanleyKubrick/…
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