my love-letter to the humanities: a book on mathematics & poetry. it starts with the question:
"Where the Hell is Heaven?"
thesis: in imagining the afterlife, poets from ancient times used the same imaginative skills that geometers and topologists use to imagine abstract realms...
and the poets' imaginations presaged the geometers'...
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a few hints (chapters from the book)
1. the most ancient accounts of the underworld are highly-structured and coordinate-based: go here, turn this way, walk this far. the land of the dead is euclidean.
2. as man looks up, from plato through dante, the heavens bend and spin in clockwork spheres; spherical geometry is born in the shape of the universe. dante even goes so far as, perhaps, to invoke the 3-sphere as a model of the universe, with earth at the bottom, and God atop.
3. milton is more abstract, making both heaven & hell spaces distinct from the physical universe; but satan's journey through Chaos from Hell to earth is through an entropic Void where one can neither fathom nor find a path -- until the precise direction is given, using which, the way is short. that is a perfect description of hyperbolic space, centuries before lobachevsky et al.
4. poets, both earlier and later, explored other geometries in speculative/spiritual works, including prototypes of fractal geometry (blake's "heaven in a wild flower").
5. swedenborg, blake, and other contemporaries go so far as to describe abstract spaces of various sorts, including hints of non-hausdorff worlds, a superposition of heaven & hell.
6. finally, in the era of the modernists (eliot, joyce, beckett), the poetic imagining of heaven is a loss of faith -- everything is words and worlds built of words. this mirrors the contemporaneous rebirth of algebraic geometry, annihilating and rebirthing geometry as writ with variables.
the entire book is an ode and nod to blake's marriage: of heaven & hell, image & verse, mathematics & poetry.