A royal church offering daily services for all and a World Heritage Site with over a thousand years of history.

Westminster, London
Enjoy reduced-price entry to Westminster Abbey this summer as part of the UK Government's Great British Summer Savings campaign. The initiative runs from 25 June - 1 September, when discounts will be available on all full-price entry tickets for adults and families. Tickets bought online through our website can also be upgraded to an annual pass free of charge, enabling you to come to the Abbey three times for the price of one. And with a summer season of talks, tours, music and family activities, now is a great time to visit. Everyone is also welcome at our daily services in the Abbey and there is never any charge for worship.
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Join us in worship as we stream Evensong from the Abbey at 5pm (BST) today. The service will be sung by the St Margaret's Choristers and Consort with music by Poston and Leighton and you can watch live or on demand at: piped.video/live/ZNO5xfE4c7U…
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Come to College Garden on Wednesday afternoons this July for the return of Brass on the Grass. Offering the perfect lunchtime escape, listen to a new band every week, each with an extensive repertoire of music from famous film scores to classical music in the beautiful setting of one of England's oldest gardens.
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'What sort of man is this, that even the winds and the sea obey him?' Matthew 8:27
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This July, join one of our after-hours openings, giving you a rare chance to explore this historic landmark at your own pace. Take a self-guided tour and walk through over a thousand years of history, from the soaring arches of the nave to the resting places of kings, queens, poets, and scientists.
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The Abbey Choir sings Gibbons' O clap your hands during Evensong here last Sunday: 'O clap your hands together, all ye people: O sing unto God with the voice of melody' You can watch the full service on demand until 21 July at: piped.video/watch?v=BS4VzboC…
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On Sunday we welcomed @LM_Westminster and Councillors of @CityWestminster to our annual civic service, which celebrates the historic links between the Abbey and the City of Westminster. You can find out more and see pictures from the service at: westminster-abbey.org/abbey-…
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'Come to him, a living stone, though rejected by mortals yet chosen and precious in God’s sight, and like living stones, let yourselves be built into a spiritual house, to be a holy priesthood, to offer spiritual sacrifices acceptable to God through Jesus Christ.' 1 Peter 2: 4-5
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This #MisericordMonday, we explore the depictions of dragons found on the oak seats in the Lady Chapel. Depictions such as these are common in many English cathedrals and parish churches as well as in Europe.
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We're celebrating #StPetersDay at our services today and everyone is welcome to join us as we stream Sung Eucharist from the Abbey at 5pm (BST). The service will be sung by @WAbbeyChoir with music including Kodály's Missa brevis and Duruflé's Tu es Petrus. You can watch live or on demand at: piped.video/watch?v=k8DU0TAf…
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Today we celebrate the feast day of St Peter, apostle and martyr. St Peter has been the patron of Westminster Abbey since its foundation in 960AD, making our formal title the Collegiate Church of St Peter at Westminster. If you're near the Abbey today, look out for St Peter's flag, which will be flying from our west towers. The flag combines the symbols of the two patron saints of the Abbey: the ring of St Edward the Confessor, king of England 1042–1066 and founder of the Abbey in 1065; and the keys of St Peter, keeper of the keys to the kingdom of heaven. #StPetersDay
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'Praise the Lord! Praise the Lord, O my soul! I will praise the Lord as long as I live; I will sing praises to my God all my life long.' Psalm 146: 1-2
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Queen Victoria was crowned in the Abbey #onthisday in 1838. The service was a grand affair, but wasn't without its mishaps. In her diary, Victoria recounted that ‘The Archbishop had (most awkwardly) put the ring on the wrong finger, and the consequence was that I had the greatest difficulty to take it off again, which I at last did with great pain.’ She did though say that the day was the proudest of her life.
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'Crown'd with the golden sun' - Henry V (II, 4) #ShakespeareSunday #Heatwave
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This morning we're holding our annual Civic Service, attended by the Lord Mayor and Councillors of @CityWestminster, which celebrates the historic links between the Abbey and the City. We'll be streaming the service, and you can watch live at 11am (BST) or afterwards on demand, at:piped.video/live/Ukq5kg-Napk…
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'This is the Lord for whom we have waited; let us be glad and rejoice in his salvation' Isaiah 25: 9
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Among the most poignant memorials in the Abbey is the Grave of the Unknown Warrior. On #ArmedForcesDay, discover the Warrior's remarkable story and how, in 1920, his body was brought from the battlefields of northern France to be buried among the kings: westminster-abbey.org/histor…
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'I call upon you, O Lord; come quickly to me; give ear to my voice when I call to you.' Psalm 141:8
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We'll be welcoming organist Mark Brafield to the Abbey at 5pm tomorrow, when he'll be giving a recital of music by Vierne, Griveau and Saint-Martin. Entry is free and everyone is welcome to join us: westminster-abbey.org/worshi…
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Vanessa Simeoni is our Head Conservator, and for more than 25 years she's looked after the Abbey's tombs, memorials and works of art. She tells journalist Maddy Fry about the joys and challenges of caring for this centuries-old building and its treasures: Vanessa’s job could be described as both an art and a science. Her remit covers all the Abbey’s vast array of monuments and everything from restoring medieval pavements to making sure pest traps are regularly cleared out and reset. While much of her work is desk-based, it involves both philosophical and practical questions about how to handle the complex histories behind the huge number of monuments contained within a church that is over 750 years old. We sit down to chat in her office, concealed behind a green door off the charming Little Cloister. I ask how, in her 26 years here, she deals with taking care of so many monuments that come into contact with people every day when time and resources are limited? She is keen to stress that the tourists are a welcome presence, but their impact on the surroundings always needs to be managed. ‘We have so many services, and so much happens here… and we’re in the middle of London. The concentration of art and decorated surfaces means that the impact of tourism not only makes it hard to get around the Abbey, but it comes with a lot of damage as well. Our aim is to reduce the impact of agents of decay like pollution, moisture, dust and all kinds of pests. So, understanding the site holistically helps us understand how the Abbey works… Knowing the people that work here, understanding the patterns of where the tourists go… helps us understand how people impact historic fabric.’ Graffiti has a complex role in her work. Is it fair to say that it forms part of an object’s history? ‘Graffiti is a really interesting one, because now we would remove it as soon as it happens, because graffiti does tend to encourage more graffiti. But something like 'Vicky Loves John' from 1870… that becomes something to them’, she says. At what point do you decide it’s old enough to stay? ‘There’s no clear answer. In general, I would try to reduce the visibility of any graffiti. Thankfully people have more respect now for historic buildings.’ It’s not just the tourists that have had to do their part. ‘Cleaners who were responsible for toilets and offices were cleaning monuments and tombs and paintings. They would transfer all these really efficient techniques onto medieval fabrics.’ It took a while for Vanessa to encourage change. ‘Conservation is never something done on its own. It’s always part of the bigger picture. We train staff, we write guidelines and we encourage staff to explain to visitors which areas of the Abbey are fragile and why. It’s teamwork that makes it work.’ Despite her long tenure, and the challenges of managing an immense collection, it’s the standard and volume of art at the Abbey that keep things interesting for Vanessa. ‘A lot of them are actually working objects, so they’re used on a daily, weekly basis. It’s so fascinating: that challenge of being a conservator but working and caring for objects that are in use. And it’s overwhelmingly beautiful. That’s pretty amazing.’
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