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“The biggest thing here is, if you call this fake, it’s just gender inequality. If the roles were reversed, what do you think would happen?” Chirayu Rana, the 35-year-old Nepali American at the center of one of Wall Street’s biggest scandals, told The Juggernaut. Rana just had a brutal few weeks. On April 27, he had filed a lawsuit anonymously, claiming a female executive at JPMorgan had sexually abused him and called him anti-Brown slurs, only for his identity to be outed. Soon after his interview with us, the world would find out that Lorna Hajdini, the accused executive, had filed a countersuit, claiming that Rana’s allegations were defamatory. On paper, Chirayu Rana seems like any other child of immigrants. He graduated from Rutgers, played soccer, and worked at prestigious firms like Credit Suisse, Morgan Stanley, and JPMorgan. But his most recent claims, which JPMorgan and Hajdini have vehemently denied, upend that trajectory.  The scandal is a lurid tale that either proves a serious cover-up at one of the world’s largest banking institutions or one of the biggest fabricated accounts in Wall Street history. So: who was telling the truth? The Juggernaut spoke to Chirayu Rana himself, corporate employees, and Rana’s high school friend. We reviewed Rana’s and Hajdini’s court filings as well as leaked screenshots and emails provided to us. What we found was even stranger than fiction. Read the full story by @TulikaBose_ below 🔗 Additional reporting by @snigdhasur thejuggernaut.com/chirayu-ra…
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In a recent sing-off in the fictional language minions speak, one participant opted for “Bohemian Rhapsody” — the most streamed song of the 20th century. Freddie Mercury, born Farrokh Bulsara to Parsi Indian parents, spent years writing the 1975 hit song. The rule-breaking, 6-minute rock opera features multiple genres, and words like Bismillah and Beelzebub. To this day, some speculate it’s about his coming out.
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Bhupen Khakhar, the father of Indian pop art, was one of India’s first openly queer artists — and he came out with a painting.
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He inspired generations of artists and writers, most famously Salman Rushdie, who wrote in Khakhar as the “accountant” in his 1995 novel ‘The Moor’s Last Sigh.’ In return, Khakhar painted Rushdie in a work called ‘The Moor.’ India awarded Khakhar the Padma Shri, one of its highest civilian awards, in 1984. He died of cancer in Vadodara on August 8, 2003; he was 69.
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Happy birthday to R.D. Burman, the composer who changed music forever 🎶 “Sweetheart, tara, tara, tara…” is how he opens “Duniya Mein Logon Ko” (1972) in a self-described “gurgling voice.” Over 33 years, he made some of India’s biggest hits with ingenuity and chutzpah. Timbaland sampled him. Apple used his music in its ads. “He was a genius,” Bappa Lahiri told The Juggernaut. “He knew classical and he knew Western music.”
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After years in the U.S., 94-year-old Kondragunta Mahalakshmamma has one wish: to die as an Indian citizen. “My only wish is to spend my final days in my motherland as an Indian citizen,” she said. Born in Andhra Pradesh, she moved to the U.S. to live with her son. She got U.S. citizenship in 2000, but said she’s renounced it.  “I want my last rites to be performed in my native village,” she said. She has taken an oath to the Indian constitution, and is awaiting approval.
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Forty years ago, Sunil Gupta captured the lives of gay men in Delhi through his photo project “Exiles.” Around 1980, the London-based queer photographer returned to India, where he was born. This is when he conceived of his photo series “Exiles.” Sunil Gupta hoped to show the world that gay Indians existed and even thrived — despite colonial-era restrictions and a lack of dedicated spaces. First exhibited in 1986, ”Exiles” captured its subjects against Delhi’s historic landmarks, including Humayun’s Tomb and Hauz Khas. “Many men had a window of unaccounted time in their days. So there was a lot of cruising outdoors,” Gupta recalled. Read our full interview with Sunil Gupta at the link below 🖇️ thejuggernaut.com/sunil-gupt…
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Two more artefacts — a bronze and wooden statue — are finally returning home to Nepal. One is the “Gilt Bronze Padmapani,” a 13th-century 18-inch-tall statue. Padmapani is a bodhisattva who postpones his enlightenment to help all beings achieve it. The figure “was being actively worshipped when it was photographed in 1971" in the Tham-Bahil Monastery in Kathmandu,” the DA’s Office said. Shortly after, it was stolen. In 2012, NYC gallerist Nancy Wiener sold it to Christie’s with false provenance. A collector purchased it for $2.49 million, before surrendering it in 2025. The second artifact is a 33-inch-tall 16th-century wooden statue of Nrtyadevi, a goddess of dance who “gestures with her lower hand, evoking her boon-granting power,” the Nepali Museum writes. The statue was photographed during a 1969 festival at a monastery in Patan. A local stole it, later carrying it to New York in the 1980s. A private collector, likely Jack and Muriel Zimmerman, bought and donated it to the Met in 2016. Nrtyadevi remained in the Met’s collection until the DA’s Office seized it in 2026. The U.S. returned the statues at a ceremony with Dadhiram Bhandari, Consul General of Nepal in New York, on June 23. “The return of our antiquities, Padmapani and Nrityadevi, to Nepal is a testament to the excellent cooperation between Nepal and the United States in protecting cultural heritage,” Bhandari said. “In the past two years we have successfully repatriated more than 20 antiquities to the people of Nepal, all of which have come from well-known trafficking networks that we continue to dismantle,” Manhattan District Attorney Alvin L. Bragg, Jr. said. These networks include Subhash Kapoor’s The Antiquities Trafficking Unit has recovered over 6,350 artifacts valued at over $490 million, returning about 6,000 so far to 38 countries.
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He went to Lohagad Fort with his fiancée three times. The last time, on June 18, he was pushed into a gorge and didn’t survive.
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“We never imagined something like this could happen,” Vishal, Ketan’s father, told Indian Express. “We had known Siya’s family for nearly 35 to 40 years and had complete faith in them. Losing a 26-year-old son in such circumstances is devastating.” “We want strict action against all those responsible,” Rakhi, Ketan’s mother, said.
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“I only found out her name, Siya, yesterday,” Babulal, Chetan’s father, told ANI. “He is being falsely framed.” “If our daughter is found guilty, she should be severely punished,” Siya’s parents told India Today.
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