Inspiring images. Since 1917. ARRI is dedicated to connecting art and future technologies for moving images. Imprint: arri.com/imprint
Munich, Germany
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Check out our new #ARRI camera showreel 2018, which highlights some of the finest images to be captured by more than 50 cinematographers on #ARRIALEXA, #AMIRA and #ALEXAMini over the past year. Watch the complete showreel here: arri.com/news/news/arri-came…
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We are deeply saddened to learn about the tragic death of our friend, Cinematographer Halyna Hutchins. You were an exceptional talent and will not be forgotten.
Rest in peace.❤️
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One of the most-watched non-english films on #Netflix, director S.S. Rajamouli's blockbuster action drama @RRRMovie was captured with #ARRI cameras, lenses, and lights. Check out our behind-the-scenes interview with cinematographer K.K. Senthil Kumar ISC: arri.link/3YP1O0g
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The Philippine feature film “#IsaPaWithFeelings,” a Black Sheep & APT Entertainment production directed by Prime Cruz, was shot by DP Tey Clamor on ARRI #ALEXALF & #ALEXAMiniLF. For some scenes an #ARRITRINITY was in use. For more pictures go to bit.ly/2oaVc10 #arri
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Cinematographer Arvind Kashyap captured the Indian hit film #Kantara with the #ALEXAMiniLF and #ALEXALF cameras combined with #ARRISignaturePrime lenses. He spoke to #ARRI about the challenges he faced on the production, which was largely shot on location: arri.link/3UhabAZ
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The Philippine feature film “#IsaPaWithFeelings” was captured by DP Tey Clamor with #ARRI’s #ALEXALF, #ALEXAMiniLF, & #ARRITRINITY. In this interview, she shares her experience of working with ARRI’s large-format camera system for the very first time: arri.com/en/company/arri-new…
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Talking to ARRI, @DOPSenthilKumar explains how the #ALEXALF, #ARRI #SignaturePrimes, and #SkyPanels helped him craft an immersive look for the action drama @RRRMovie, which won an Oscar® for Best Original Song at the 95th Academy Awards. Full interview: arri.link/3YP1O0g
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The crew behind Thai film "Man Suang" explains how the ALEXA 35's digital workflows helped to seamlessly blend the film's diverse genres, narratives, and visions. Read our interview with director, cinematographer, and colorist: arri.link/3sAXp6L
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Large format, small camera - we are excited to announce the new ARRI ALEXA Mini LF! arri.com/alexaminilf #ALEXAMiniLF #ARRILargeFormat
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At the @filmfestmunich, the #ARRI Award was presented to “Broker” as “Best International Film” in the CineMasters competition. The top prize of the festival was handed over by Dr. Matthias Erb, Chairman of the ARRI Executive Board.
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Introducing the #ALEXA265. Inside the small & lightweight body is a completely revised 65 mm sensor that delivers higher dynamic range & improved low-light performance. Learn about its easy workflow, color science, accessories & innovative filter system at arri.com/alexa265
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“The ALEXA LF gave me the freedom to shoot at ISOs as high as 3200 and I’m in love with the organic skin tones of the ALEXA LF.”
-- DP Vijay Kartik Kannan from the sets of the Indian movie “DOCTOR” (in thamizh language)
#ARRI #ALEXALF #ARRILargeFormat #LargeFormat #doctor
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Out now, "#Bramayugam," by director Rahul Sadasivan, stars @mammukka. Set in the 17th century, it portrays an escape from slavery in B&W. DP Shehnad Jalal, ISC, used #ALEXAMiniLF, #SignaturePrimes & #SignatureZooms to capture the story. @allnightshifts @chakdyn @sash041075
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Check out ARRI Rental’s video documentary “The Art of Dark” on the making of all three seasons of @DarkNetflixDE, the first German-language original series on @netflix. Enjoy!
#arri #arrirental #arrimedia #capturedwitharri #darknetflix #stayinspired
piped.video/jbwUvjMNcPw
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Congratulations Sir Roger Deakins CBE, ASC, BSC on your knighthood! A fitting recognition for one of the most inspiring talents in the industry.
#rogerdeakins #cinematographer #stayinspired
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WATCH: Director Simon Kinberg narrates a scene from @XMenMovies "Dark Phoenix”. DP Mauro Fiore captured the film with ALEXA. "Dark Phoenix" is now playing! #filmmakerfriday #filmmaking #DarkPhoenix #capturedwitharri #ARRI #ALEXA #camera nyti.ms/2WwBBs5
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Cinematographer @DOPSenthilKumar captured the Indian hit film #RRR on the #ALEXALF with #ARRISignaturePrimes and relied on #SkyPanels and #ARRIMAX for the lighting. Read his interview with @AmericanCine about his approach to the cinematography of the film: ascmag.com/articles/shooting…
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Behind the scenes of the 2019 film, "Lost in Russia" with Junior Locano. The shoot featured a 360-degree movement on ice using the TRINITY in -24 degree temperatures.
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And the Oscar for Best Cinematography goes to...Alfonso Cuaron for "Roma"! The film was captured in black-and-white on ALEXA 65 with Prime 65 lenses from ARRI Rental. Among others, Cuaron thanked the cast and crew, Mexico, and ARRI.
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We are excited to announce the new #ARRILargeFormat camera system, featuring the #ALEXALF camera and #ARRISignaturePrimes! Learn more on arri.com/largeformat
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Congrats to the one & only Roger Deakins for winning the Best Cinematography Oscar! He thanked his wife/collaborator of 27 years James and also his crew of BLADERUNNER 2049!: "This award is for US because it was a team, it was a team effort." #capturedonalexa #masterprimes
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Uncover the story behind the iconic yellow raincoat! Check out ARRI Rental’s short documentary on the making of Netflix’s "Dark" tomorrow. Here’s a sneak peek …
#arri #arrirental #arrimedia #darknetflix #filmmaking #cinematography #stayinspired
@ARRIRental @darknetflix
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Cinematographer Santosh Sivan ASC, ISC @santoshsivan captured the short film Dial “K” for Kill with #ARRIs large-format camera system, he says: “The ALEXA LF is a revelation to DPs.” Special thanks to @bombayberlin. #ARRILargeFormat #ALEXALF #ARRISignaturePrimes
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Congrats Kaity! Thanks for choosing #AMIRA, we wish you continued success! 🎥⭐
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Bravo Mr. Deakins! 👏👏👏
💙 Huge congratulations to #RogerDeakins ASC, BSC on winning the BSC’s award for Best Cinematography in a 2017 Theatrical Release, ‘Blade Runner 2049’!
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ARRI Camera Systems welcomes its brand new 4.6K Super 35 camera.
Join our online keynote presentation and be among the first to experience the next-generation ARRI camera that elevates digital cinematography to unprecedented heights.
Learn more here: arri.com/raisingthebar
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#ARRI announces four new #SignatureZoomLenses, designed for universal usage with any large-format or Super 35 camera. Fast T-stop of T2.8, focal length range of 16 to 510 mm, absolute image consistency, HDR compatibility, 8K resolving power.
Be inspired: bit.ly/3cpIrUW
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DP Christopher Doyle (@dukefeng52) spoke to #ARRI about filmmaking in Asia and why the organic nature of the camera is very important. Watch the interview of our #TheFilmmakersView series:
piped.video/7dQa6A72OWc
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The ALEXA LF is Netflix approved in all three sensor modes (LF Open Gate, LF 16:9 and LF 2.39:1) in ARRIRAW or ProRes/Log C (4444 XQ, 4444 or 422 HQ) recording formats: bit.ly/2EW0kII
Have fun shooting your #Netflix productions with the #ALEXALF!
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Cameras and accessories with SDI connections can be damaged when connecting power cables. To avoid this: 1. FIRST connect power cables, THEN BNC. 2. FIRST disconnect BNC, THEN power. Also helpful is using shielded power cables and avoiding D-tap connectors.
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For #DunePartTwo, cinematographer Greig Fraser ACS, ASC combined the #ALEXA65 and #ALEXAMiniLF, blending cutting-edge technology with bold artistic choices to bring the visually captivating #Dune universe to life. Read more about the cinematography here: arri.link/48BCVtF
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Take a look behind the scenes of #Ripley, captured by cinematographer Robert Elswit ASC in black and white with #ALEXALF & #ALEXAMiniLF and #ARRI lights! The Netflix series was filmed in stunning Italian locations including Atrani, Naples, Venice, Rome, and Palermo.
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Cinematographer #rogerdeakins, his wife James Deakins, & TRINITY operator Charlie Rizek about how they used #ARRI #ALEXAMiniLF, #ARRISignaturePrimes, & TRINITY to achieve the real-time camerawork of “1917.” Read the fully story & watch the video interview: arri.com/en/company/arri-new…
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As of today, ARRI is enabling owners and operators of AMIRA cameras to record in ARRIRAW. It will give cinematographers the option to record #ARRIRAW 2.8K up to 48fps, increasing the versatility of their #AMIRA even further. Learn more here: bit.ly/2MgdNji
#arriraw4amira
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Throwing back to “@bladerunner 2049,” which was captured on ALEXA XT Studio cameras with Master Prime lenses & ARRI lights, provided by @ARRIRental. These pictures show 256 ARRI 300-watt Fresnels on set. Read the full interview with gaffer Bill O’Leary: arri.com/en/company/arri-new…
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ARRI announces its new EF Mount (LBUS), allowing EF mount lenses to be used on the ALEXA Mini LF and ALEXA Mini. We are expecting the delivery of the first units in November 2020.
arri.com/lens-mounts-and-ada…
#ARRI #stayinspired #EFMountLBUS #EFMount #ECS #ALEXAMiniLF #ALEXAMini
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From the massive stages to location work, the production of #TheLastJedi reportedly utilized 1,000 ARRI #SkyPanels over the course of the shoot. #ARRI talked to cinematographer @steveyedlin ASC about his lighting approach for the film: arri.com/news/news/the-last-…
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HaPpY HaLLoWeEn!! LA based director and filmmaker @ryantothec has stolen our hearts yet again. His newest creation, an ALEXA Mini LF costume, converted from his award-winning ALEXA Mini costume, is ready to hit the streets!
#ALEXAMiniLF #ALEXAMini #halloween #filmmaker #costume
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We are excited to announce the ARRI Approved Certified Pre-Owned Program. It’s a new, cost-effective way for filmmakers & film schools to buy selected pre-owned ALEXA cameras. Find out more here: arri.com/cpo
#ARRICPO
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Meet ARRI’s new flexible sunshade for the LMB 4x5. The rubber hood can be easily retrofitted to any LMB 4x5 or LMB-25 and is ideal for situations where your matte box might take a couple of knocks. We’ve also introduced extended side flag holders with room to place filter tags.
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Yesterday, we had some very special guests at #ARRI! It was a great pleasure to welcome Oscar winning DP Roger Deakins (l.) and his partner James Deakins for a factory tour at ARRI's headquarters in Munich and at the ARRI Lighting facility in Stephanskirchen.
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The 🎥 behind #Oscars2019 - article by Yossy Mendelovich ymcinema.com/2019/02/15/the-…
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Meet the tiny and affordable new Codex Compact Drive for the ALEXA Mini LF. #ARRIMiniLF #ARRILargeFormat
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ARRI's SkyPanel process lighting effect was recently used by DoP Jason West and Gaffer Ravi Raokhande who created a realistic lighting setup to simulate a car driving down a highway. (video courtesy by Mr. Mulchand, International Lighting Gaffer, India) #arrilighting #skypanel
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"Night for day" lighting set up with three ARRI Daylight 12/18s.
Gaffer: Jon Terpstra
Key Grip: Charlie Harrold
DP: Kris Kimlin
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Congratulations to all #Cinematography #Oscars nominations! Four out of five nominees were shot on #ARRI #ALEXA 🙂🎥
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ARRI congratulates the #GoldenGlobes winners! Best Motion Picture – Drama: “Bohemian Rhapsody,” Best Motion Picture – Musical or Comedy: “Green Book,” Best Motion Picture – Foreign Language: “Roma,” and Best Television Series – Drama: “The Americans” were all captured on ALEXA.
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ARRI's System Group along with our industry partners, install London’s only full time virtual production test stage at the request of Epic Games.
#arri #orbiter #amira #minilf #signatureprimes #arrisystemgroup
#epicgames #unrealengine #80sixltd #roevisual #bromptontech
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Throwing it back to our final film camera. The resilience of the 16 mm film format is demonstrated in 2006 when #ARRI releases the ARRIFLEX 416. For more on the 416 >>> 100.arri.com/arriflex416 #tbt #inspiringyourvisionsince1917 #arriflex #film #camera
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ALEXA Mini LF - 10 Second Rule for Removing Drives
Click here for more information: bit.ly/2XUPAqj
#ARRI#ALEXAMiniLF#stayinspired
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Go behind the scenes of #Coldplay's #mixedreality promo shoot, filmed at ARRI Stage London, which placed the band in a fantasy version of Dubai’s Al Wasl dome! Read the full story: arri.link/3AVGYm6
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40 world records, 1,000 players, and a $5M prize—The Beast Games are now streaming on Amazon Prime Video! We’re excited to see so many ARRI cameras capturing the show. Big congrats to the DPs Jason Elliott, Russell Leggett, Peter Vidulich, and the entire crew!
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Another @netflix production captured with #ALEXALF cameras: DP Kiko de la Rica is shooting ¨A PESAR DE TODO¨, he says: “With the ALEXA LF, I see more definition and cleaner blacks. When working at low levels of light, quality does not suffer." Special thanks to @videocineimport
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Changeable optics is one of the core innovations in #Orbiter. The Quick Lighting Mount (QLM) in Orbiter allows for optics with vastly different properties to be connected to the fixture. #arriorbiter #orbiter #arrilighting #arri #quicklightingmount #arriqlm
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Catching up on the latest series over the holidays? If @1899Netflix is on your watchlist, don't miss out on our interview with DP Nik Summerer on the show's incredible virtual production design, developed in collaboration with #ARRISolutions. Full story: arri.link/3XLemX7
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Documentary cinematographer David Baillie @wildcatfilms challenged the #SRH3 on rough, unpredictable waters. The combined benefits of light weight and no need for stabilization in post production made for an efficient shoot. Big Thanks to Dave for this great footage!
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The #ALEXAMiniLF’s new MVF-2 viewfinder has the same high-contrast HD OLED display, color science, and #ARRICAM eyepiece as in #ALEXALF’s EVF-2 viewfinder, allowing optimal judgement of focus, dynamic range, and color on set. #ARRILargeFormat
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The Oscar for Best Picture goes to...THE SHAPE OF WATER! Directed by Guillermo del Toro (who also won for best director), the film was produced by J. Miles Dale and captured by Dan Laustsen ASC, DFF on ARRI ALEXA and Master Primes. Congrats to the team on this achievement!
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#ARRI ALEXA remains a popular camera option for #Oscar-nominated filmmakers to shoot their films. @nofilmschool presents an impressive list of all camera and lenses of this year´ s @TheAcademy Award nominees: nofilmschool.com/cameras-len… Thanks for the trust in ARRI.
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DP Heiko Knauer raves about the new #ALEXAMiniLF: „I was so impressed to be holding a large-format camera this small. On the shoot, I never really put the camera down. It’s built to work in every condition, this is how it feels when you hold it in your hands.“ #ARRILargeFormat
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ARRI announces a new version of its AMIRA camera: the AMIRA Live. Designed specifically for multi-camera live broadcasts, it offers a unique combination of system camera efficiencies and truly cinematic images.
arri.com/amiralive
#ARRI #AMIRALive #ARRIMulticamSystem
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#TBT to 1999 -- the #ARRIFLEX 16SR 3 Advanced boasts a 70% brighter viewfinder, #ARRIGLOW & improved video assist. #arri100 #arribirthday
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The 2023 Oscar nominees just dropped! All five cinematography nominees relied on ARRI and ARRI Rental cameras: "All Quiet on the Western Front," "Bardo," Elvis,“ "Empire of Light,” and “Tár.” Congratulations to all!
📸 : Netflix, 20th Century Studios, James Ellis Deakins
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"When the recognition of those responsible for the creation of outstanding cinema is being diminished by the very institution whose purpose it is to protect it, then we are no longer upholding the spirit of the Academy’s promise to celebrate film as a collaborative art form."
An open letter from the ASC regarding the Academy Awards controversy, including a growing list of the many supporters of cinematographers everywhere: bit.ly/ASCOpenLetterToAMPAS
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The new EF Mount with LBUS for ALEXA Mini LF and ALEXA Mini is shipping!
#ARRI #ARRIEFMountLBUS #ALEXAMini #ALEXAMiniLF #ECS #OCU1 #MasterGrips #PLMount #LPLMount #EFMount #Mount #Lenses #Lens
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Earlier this summer, we released a limited number of #ALEXAMiniLF pre-production 1 cameras (PP-1). We will now supply a larger number of PP-2 cameras with greatly refined software. The final production software will be available mid-September 2019. #ARRI #ARRILargeFormat
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Congratulations to the team of “As Bestas” on winning Best Film & Best Cinematography at the @PremiosGoya! The Spanish and French coproduction from director Rodrigo Sorogoyen was captured by DP Alex De Pablo on the ALEXA Mini LF with ARRI Signature Prime lenses 🎥
#Goya2023
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Sascha Mieke (l., @ARRIRental) prepping an #ARRIFLEX 765 camera (5-perf 65 mm) with Scott “Smitty” Smith & Mike Hendriks (r. & c., #IMAX) prepping an IMAX MSM camera (15-perf 65 mm) for a project. #ARRI is a partner of the new “Filmed in IMAX” program: prnewswire.com/news-releases…
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ARRI has opened its new state-of-the-art mixed reality studio in the UK. As one of the biggest permanent mixed reality production spaces in Europe, it is equipped with an LED volume comprising 343 sqm of LED wall.
#ARRI #ARRIRental #mixedreality #virtualproduction #stayinspired
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The emotionally gripping Thai film #HowtoMakeMillionsBeforeGrandmaDies continues to captivate audiences & break box office records in Southeast Asia. DP Boonyanuch Kraithong used #ALEXA35 to create the nuanced story that has moved cinema goers and TikTokers in Asia to tears 🎥
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WATCH: Director Todd Phillips narrates a scene from #Joker. Cinematographer Lawrence Sher captured the film on @ARRIRental’s exclusive ALEXA 65 camera.
@jokermovie is now playing. #JokerMovie #director #filmmaker #filmmaking #arrirental #alexa65
nytimes.com/video/movies/100…
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Cinematographer Matias Boucard on shooting with #ALEXALF: "It makes a huge difference, the color balance and the resolution are real game changers for me. Especially at night, I am pushing the camera with higher ASAs, and we all love it. I can't wait for the #SignaturePrimes!"
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Congratulations to Roger Deakins ASC, BSC, CBE and all the winners of the 34th Annual ASC Awards. Deakins took home the top prize for his camera work on @1917. This is Deakins’ fifth ASC Award win. #TheASC #ASCAwards
For the complete list of winners: theasc.com/awards/34th-annua…
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ARRI’s new, versatile LED fixture Orbiter was greenlit into serial production. Starting today, the first units are being delivered to customers wordwide. For more information on Orbiter, please visit: arri.com/orbiter
#arri #orbiter #arriorbiter #stayinspired
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Gaffer Bill O'Leary used a double ring of 256 ARRI 300-watt Fresnels to light the @ARRIRental serviced #BladeRunner2049! Photo: Bill O'Leary
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Janusz Kaminski, Roger Deakins, Hoyte Van Hoytema, Rachel Morrison, Dan Laustsen, and Robert Elswit talked to @THR about their latest works and with which director they would have liked to work. hollywoodreporter.com/featur…
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Did you know that our Signature Prime lenses have a detachable magnetic net filter holder? Create your own look without any compromises.
#ARRILargeFormat #ARRISignaturePrimes
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Congrats @morrisondp !! 👏👏👏🎥🎬
#Mudbound's Rachel Morrison made history as the first woman nominated for a cinematography Oscar bit.ly/2n5kQQ3
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No worries @ThatKevinSmith, our ALEXA Mini is user-friendly, you got this! 🎥😎
Here’s me pretending to direct. My entire goofy job is predicated on capturing images; and yet after 25 years of making movies, I still don’t know how cameras work. Nearest I can figure is they got pixies or demons in there. I probably shouldn’t have dropped out of film school...
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Award-winning cinematographer Taro Kawazu while shooting the #Netflix Original series “Alice in Borderland” with #ALEXALF and #ARRI Signature Prime lenses in Japan. #cinematography
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“Let’s learn a bit about this fascinating 65mm film camera, the #ARRIFLEX 765, which was the 2nd unit camera for the latest James Bond @007 movie – ‘No Time To Die.’” Read the full article about @ARRIRental's exclusive camera on “@Y_M_Cinema”: ymcinema.com/2020/04/05/arri… #arri
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Behind the scenes of the Netflix series #Eric starring Benedict Cumberbatch 🎥 Check out our interview with DP Benedict Spence BSC and colorist Toby Tomkins about the cinematograhpy of the show and using the #ALEXA35: arri.link/3ZJgWyJ
Streaming now on Netflix.
📷: Netflix
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Congrats Bong Joon Ho - you are a class act!
Bong Joon Ho channeling a #MeanGirls moment during his #Oscars speech for best director bit.ly/39jk7kM
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Caption it!
Project: Penny Dreadful: City of Angeles (premieres today!)
DP: John Conroy
Gaffer: Ed Maloney
Rigging Gaffer: Tim Durr
LCP: Jeffrey Pardee
Lit with 16 SkyPanel S60s
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The ARRI Signature Zooms have arrived in East Asia Pacific! And they’re about to zoom their way all around the region. Here’s a sneak peek of the unrivalled cine zoom lenses with Hong Kong based DP Rick Lau. #arri #signaturezooms #arriasia #stayinspired
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Bong Joon-ho’s Cannes Palme d’Or-winning "Parasite" was honored with 6 prizes, including "Best Film," at the Buil Film Awards of the @busanfilmfest. The dark comedy was shot by Kyung-pyo with #ARRI's #ALEXA65 camera system with #PrimeDNA lenses and serviced by @ARRIRental. #biff
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WATCH: Ari Robbins, SOC talks all things film, career and #TRINITY with @YouTube's @potato_jet (Gene Nagata): piped.video/watch?v=6JLbVQNS…
#stabilizedwitharri #arri #arricss
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